EOS C500 Mark II 5.9K Full Frame sensor; 4K at 50p/60p with 4:2:2 sampling; Cinema RAW Light and XF-AVC Intra Frame records to CFExpress Type B Cards Press the button again to turn off peaking. It depends on the lenses you are going to use it with. It seemed 8K full-frame raw came at a price. The C500 Mark II is definitely a cinema camera. In addition, the DIGIC DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. … It proved extremely popular for the broadcast and corporate markets and independent filmmakers alike, and propelled the Super 35 format into these segments. The Canon EOS C300 Mark III is the first Cinema EOS camera to feature Canon's DGO sensor with 16+ stops of dynamic range, making it ideal for an HDR workflow. Announced just weeks ago, the Canon C300 Mark III is Modular, 16 Stops of dynamic range, 4K Canon Raw Lite, with Dual Pixel CMOS Autofocus as an option up to 120fps. DAF can survey the scene and recognizes not only whether the subject is in focus … The ergonomics of the Canon EOS C500 Mark II also impressed Roberto, which he says makes the camera ideal for his field of action and wildlife documentaries. Touch the point where you want to focus on the LCD screen to move the focus guide. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Prior to this, the industry at this level was predominantly small chip. When a manual focus lens is attached to the camera, except for compatible EF Cinema lenses. Set the focus mode switch on the lens to MF. Years of innovation hit the market. Focus Guide. I was surprised it didn’t cover 5K FF on the FX9 but I … Explore our review below. Canon EOS C500 Mark II. Canon introduced phase detection dual pixel auto focus (DPAF) in 2013, with the EOS 70D camera, calling the technology “revolutionary.”. Adjusting focus on the EOS C500 Mark II Article ID: ART176477 | Date published: 02/03/2020 | Date last updated: 02/04/2020 . Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. Face Detection AF (EF Version Only) Face Priority or Face Only. The Canon C500 Mark II can shoot 4K in Super35mm, at up to 60p. Face Detection When there are a number of people in the picture, one person will be determined to be the main subject but you have the option to select a different person as the main subject. On a compatible EF Cinema/broadcast lens, enable manual adjustment on the lens. EF locking (CM-V1) 2. Documentary filmmaker Ben Sherlock explores what the Super 35mm EOS C300 Mark III and the full-frame EOS C500 Mark II offer in the field. In February this year, the Canon C500 Mark II entered this prestigious list with the new codec Cinema RAW Light. Canon C500 Mark II can record up to 60 frames per second in Canon's Cinema Raw Light files, giving you the raw file flexibility in a smaller package. Then, in 2014, Sony announced the FS7. We heard from one director of photography who thinks that the Canon C500 Mark II fits the bill perfectly. This new model is the successor to the EOS C300 Mark II (released in September 2015), which has been well received in various shooting fields such as video and broadcast production. Just by specs alone, Canon has nailed it. Refer to the list of compatible lenses and functions that can be used HERE. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. The camera incorporates Dual Pixel CMOS AF technology for advanced autofocus performance with compatible lenses. A fully charged battery pack for the camera 6. This design not only allows for more modularity within the C300 line but also means all accessories designed for the C500 Mark II will also work with the new C300 Mark III. I would rarely use the 6K at 2.1 MBps, cause it takes the 512GB card in 31 minutes, but surely there are people, who wouldn’t have problems with that, cause they have different needs. The introduction of the C500 Mark II brought full frame to higher end productions in an easily manageable form factor. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. EF to PL mount (PM-V1) 3. It’s an important question to ask, because if you are going to invest in a camera system you want to make sure that it can see you through years of use in all manner of filming scenarios. Years of innovation hit the market. Then as summer heated up, so did … The EOS C500 Mark II boasts ground-breaking AF technology, using a CMOS sensor with a construction that combines the functions of both imaging and phase difference AF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. Canon C500 Mark II with EU-V2 extension Unit Whilst the FX9 is essentially a full frame version of the FS7 (with other improvements and additions of course), the C500 Mark II is a completely different beast to the C500 Mark I and perhaps should have been named something completely new to set itself apart from the original that was a bit of a commercial flop. The ergonomics of the Canon EOS C500 Mark II also impressed Roberto, which he says makes the camera ideal for his field of action and wildlife documentaries. Test: Canon C500 MKII: Skintones, Dual Pixel Autofocus, 12 Bit 6K … When the focus guide turns green, the subject is correctly focused. Canon C500 Mark II can record up to 60 frames per second in Canon's Cinema Raw Light files, giving you the raw file flexibility in a smaller package. Press the MAGN. Ten stops of ND … If you are a Canon user owning a EOS R with the newest RF glass, than you cant use these with the new C500 Mark II. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. "The Cinema EOS Series has a modularity that is simply fantastic and, in the EOS C500 Mark II, the modularity has reached a level that was unimaginable a few years ago. Testing and comparing the autofocus systems on the Sony FX9 and the Canon C500 Mark II for usability, reliability, and their limitations. Dual-Pixel AF now with Eye Detect Autofocus The Sony FX9 and Canon C500 Mark II full frame cinema cameras. The Canon EOS C500 Mark II uses the latest technology from the EOS R-series of Canon mirrorless cameras and puts it into a professional cinema camera that has a modular style to suit lots of different uses. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. The Canon EOS C300 Mark III is an update to the Canon C300 Mark II in name only. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. When the focus guide and face detection functions are used together, the focus guide may not focus the main subject's eyes correctly, depending on the direction in which the face is turned. Face Detection AF (EF Version Only) The orange frame displayed on the top right of the screen (magnification frame) shows the approximate part of the image shown magnified. You need to use the built-in extender to cover the image sensor. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording. With subjects or in situations where autofocus may not work well, the focus guide may not work correctly. Press the CANCEL button to return the focus guide's frame to the center of the screen. Press the CANCEL button to return the magnification frame to the center position. The EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output.
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